Category Archives: Uncategorized

Writing: Tesseracts 17 Unveiled

Reblogged from Colleen Anderson:

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We are pleased to announce the official Table of Contents for Tesseracts 17: Speculating Canada from Coast to Coast to Coast.

This anthology of speculative Canadian writing will be out this fall from Edge Publications. It was no easy task choosing from the over 450 submissions and we had to turn away many a good tale. In the end, we have a representation of Canada that spans all provinces and territories (with the exception, alas, of Nunavut).

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The Full Line-up for TESSERACTS 17!

Father’s Day Poem

My grandfather Hanlan and my Grandmother Judy raised.

When Grandpa died – just a couple of years past his retirement it was like losing a father.

When my Dad, Leigh, died – at age 53 – it was like losing a father all over again.

Father’s Day is always a little bitter sweet for me.

I wrote this a while ago – but it pretty well sums up my feelings on this Father’s Day.

TWO TALL MEN TALKING

These men, so tall
I swear you could hear the wind
whistling round their scalplines

my dad, his dad
leaned on the couch, legs on the coffee table
stretched long and lank as trestle timbers

talking of the world and their work
their boozy baritones booming deep and faraway
as a freight hog rolling through a long winter fogbank

reeking clouds of Player’s tobacco
their pliarboned hands waved magical smoke signals
nobody understood

the tang of Canadian Club Rye
bubbly Seven Up blended
with diesel tainted sweat

two old crows
talking treason
between the treetops

I was listening dad and I was listening grandad
and you both were full of crap
and I love you still.

yours in storytelling,
Steve Vernon

How Self-Published Books Are Made: Start To Finish (PART I)

Reblogged from Catherine, Caffeinated:

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To mark the occasion of my 601st blog post (and I wonder why The Novel isn't finished yet...), and after seeing that a number of people regularly land on this blog by googling 'how self-published books are made start to finish', I've decided to do something I've been meaning to do for a while: outline a basic master plan for self-publishing…

Read more… 2,437 more words

This is how one writer did it!

Tips on how to get discovered

Hey all of you Kobo authors – check out the Kobo Writing Life blog for the latest entry on TIPS ON HOW TO GET DISCOVERED.

Gee, I didn’t even know I was lost…

Tips on how to get discovered.

How I Write – Chrystalla Thoma

Today I’d like to announce the first in a semi-regular series of author blog spots. I want to help other authors reach out to this great writing community that we are all a part of.

So – without further ado I would like to introduce Chrystalla Thoma – who currently lives in Nicosia, Cyprus – a heck of a long way away from Nova Scotia.

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HOW I WRITE – CHRYSTALLA THOMA

Hi Steve, thanks for hosting me today. :)

I’m here to tell you how I write my stories. Well, I take a knife and I prick my heart, and with the blood I form worlds. But it’s always much more complex than that. I don’t just sit at my computer and let my blood flow.

So let’s break it down, shall we?

Let’s take it from the start. Usually I have a flash of an idea, sometimes inspired by science findings or mythology. It can be something like, “what if parasites gave us powers” or “what if the elves had invaded us once and now are coming back”. Or it can be simply a scene popping up in my mind – a fight scene between a sorcerer and a monster, or an argument between a father and his daughter.

This is what I call in my mind “a seed” of a story – a burning center waiting to sprout branches and tendrils and form a plot.

What usually sprouts next is a character or more. In that scene or central question burning in my mind, it’s always about people. People with a past and a present. A character is there, at that turning point, because of things that have gone before – from a childhood trauma to an adolescence with certain key events to adulthood where we find them fighting their war or argument. Their past will influence how they dress, how they speak, how they think. And this last part – how they think – will be the turning point for everything that comes afterward. A character’s personality – selfish, shy, a fighter, a coward – combined with their past – happy childhood, crappy adolescence, a death of a loved one, an accident that instilled fear – will determine how they face their fate and how they react to it, leading to all sorts of interesting ramifications.

I am not a real plotter. I’m more of a pantzer – writing and waiting to see where the story takes me. That said, I always have a basic outline jotted down, with major turning points and hopefully the ending, as I find that helps. It’s like an experiment: determine the “what if” and the setting, determine the participating characters and their personality, throw them into the mix and observe a story being born.

Yes, I normally just sit down and write. Often I visualize the scene before I write it. I may even hear snatches of dialogue in my head. (note: that can happen throughout the day and I always carry a notebook with me to jot them down). I also more or less know what *needs* to happen for my story to advance. Of course, I often get surprises when I start writing, and sometimes the story takes me elsewhere. I try to more or less keep to the plot, though. Otherwise, the whole plot may fall apart.

Dialogue with some action is the first thing I write. I try to intersperse bits of description as I see them in my mind’s eye – a flick of dark eyes, a lifted brow, a roll of broad shoulders, a deserted street. I am more interested in action and dialogue in the first draft because it’s what the story is about. In later drafts, I usually add more description. In the first draft I also like to leave little clues and open questions I don’t know the answer to, yet, like – why does he have a tattoo and what does it mean? Why is she so afraid of heights and what’s the back-story to that? How did he get that scar and how will that story affect him now? Such clues can be edited later if they aren’t needed, or changed, or kept to be answered in sequels (I usually write series).

So… quite roughly, this is how I write. Every author’s mind works differently, I’m sure, and now you have an insight into the tangled web of mine. Careful on your way out!

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Let me tell you about Chrystalla’s latest release.

Boreal And John Grey Season1 Box-v5_medium

During the 13th century In Iceland, epic poems and tales called Edda spoke of the aelfar – the elves. Tall and pale – their name means ‘white’ – these trickster beings brought misfortune and illness, and exchanged healthy children with sickly changelings.
Now the Gates are opening once more between worlds and the elves are back.
Ella Benson, Paranormal Bureau agent, fights all that comes through the Veil – dangerous Shades crossing into our world. But increasingly dangerous creatures are slipping into her city, her work partner has just gone missing, and a mysterious – and, frankly, quite hot — guy saves her life. His name is Finn and, as it turns out, he’s a natural when it comes to fighting the Shades.
When after centuries of peace the Gates between the worlds start opening and our old enemies, the elves, make a comeback, Ella needs a new, temporary partner. Enlisting the mysterious Finn is a no-brainer, until she realizes he is guarding dangerous secrets of his own.
Together with Finn, and the fate of the world on her shoulders, what’s Ella to do but grab her weapons and figure it all out, one way or another.

Read the complete First Season of the series Boreal and John Grey, books 1-5 (The Encounter, The Gate, The Dragon, The Dream and The Truth) at a special price with an Author’s Note at the end.
This is urban fantasy verging on paranormal romance. A sexy love story set against a backdrop of dragons, trolls and magical portals, fast-paced action scenes and suspense.

The first episode in the series is free so you can sample it – here:
Amazon US: http://www.amazon.com/Encounter-Boreal-John-Grey-ebook/dp/B00AVVDFGO
Amazon UK: http://www.amazon.co.uk/Encounter-Boreal-John-Grey-ebook/dp/B00AVVDFGO

And – to all of my KOBO-users out there Chrystalla also has several e-books available for FREE on Kobo.

Here’s a couple, for starters.

That’s all I’ve got for you today. I need to get back to my own writing. Thanks for your guest blog appearance, Chrystalla – I hope you sell a bunch.

Remember folks – we e-book writers need all the help we can get.

yours in storytelling,

Steve Vernon

Using Photos For Your Blog that WON’T Get You Sued!

Check out this helpful article over at Molly Greene’s blog!

I’ll be back later today with a blog of my own!

yours in storytelling,
Steve Vernon

My crack-dealer theory of eBook marketing, or how I started eating broccoli

My first column at the Kobo Writing Life blog has just gone live.

Why not go and give it a read?

My crack-dealer theory of eBook marketing, or how I started eating broccoli.

Arnold Schwarzenegger’s THE LAST STAND

All right – so I don’t buy that many dvd’s these days.

For starters, I’ve got a small wall full of the suckers. Horror, western, war, comedy – I’ve probably got close to a thousand DVD’s.

But I’ve been wanting to see this movie ever since I saw it advertised at the theater back when I was watching THE EXPENDABLES 2.

I had wanted to catch this movie AT the theater – for the big screen effect – only it disappeared in about two weeks.

I found out why it disappeared after I bought it.

THE LAST STAND should have been a good movie – but they couldn’t remember what sort of a movie they had set out to create. The director, Kim-Jee-Woon, was way too interested in shooting way too many cool-looking car chase scenes – which would have worked if he had been filming The Fast and the Furious Part Sixty-Eight.

But it didn’t work as a Schwarzenegger movie.

Schwarzenegger is a force. He’s an unstoppable juggernaut of destruction. He’s meant to come at you like a freaking Tiger Tank. He’s not fast, he’s not fancy. He’ll stick a row of spears and swords into the dirt at his feet and wait for you to come at him and then cut you into about a billion tiny pieces.

That’s just how he rolls.

But they spent WAY too much time focusing on build-up.

When it came to delivery they fell short.

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The choice of actors was one problem. Johnny Knoxville had a really cool Steve Buscemi vibe going on there in the beginning – but then they started to indulge his comical side and things got silly. He did that face-splat against the car window and it looked like an out-take of JACKASS PART SIXTEEN.

Same thing with Luis Guzman – who has a great mighty-ugly face for an action hero – but a voice that sounds like a castrated canary.

You see – there is nothing wrong with a few giggles in an action movie – but the mistake they made was over-indulging those comic actors and letting them get away with goofing around on camera. Keep the side characters playing it straight and save the occasional giggle lines for your hero.

Namely, Schwarznegger.

Like I said – they pulled up short. They took an hour to get to the big shoot-out in town and then spent about five or maybe ten minutes shooting up the town before they decided to shoot this long freaking chase through a cornfield – which DID look all film school cool – but it didn’t have a freaking thing to do with the story.

A movie – or a story – needs to remember what arena it is being shot in.

You need to keep the main action in the main arena.

I wanted to see about an hour of the action going on in that shoot-out in the town. Not chasing through some cornfield that we never even saw before.

Same thing with the interaction of the townspeople. We never really did get any feel for the way that the Sheriff interacts with these townspeople. They were mostly hustled out of town in the beginning of the movie to go and see some all-too-convenient football game.

I would have related a lot more to the old folks who did show up for the gunfight if I had actually got to meet them a little bit more before the gunfight began.

The whole movie seemed rushed, in slow-motion. The filmmaker spent hours on super-cool car chase effects and getting the bad guy out of the lock-up – and then just rushed through the main scene – which should have Shwarzenegger and his buddies going all Magnificent Seven Wild Bunch on the cartel’s drug-peddling ass.

Schwarzenegger still has the chops, as far as I’m concerned. He’s got the perfect look to play that grizzled old juggernaut coming out for one last charge at the windmills – but I want to see him properly used – not just squeezed in around a half-assed car chase story.

I’m glad I saw the movie and I probably will watch it again sometime – but I’m likewise glad that I bought the cheap-and-dirty no-bells-no-whistles DVD of this flick. When I first saw the trailer I thought – HOLY COW, SCHWARZENEGGER IS REALLY BACK – but unfortunately this wasn’t the movie to do it with.

He may have just terminated his movie career.

yours in storytelling,
Steve Vernon

Making it Work Through Kobo

Here’s a REALLY informative blog entry on publishing your work at Kobo.

I’d definitely recommend you giving it a read!

yours in storytelling,
Steve Vernon

My Storytelling Workshop…

I want to write this for all of the kids out there who HAVEN’T seen one of my storytelling workshops.

You didn’t miss much at all, really.

I start out by telling the kids how I grew up to be a storyteller, and how my grandfather taught me, and how I was nearly massacred to death in my first day of school by a half a hundred bullies…complete with a special guest star appeanance by bogth GODZILLA and KING KONG.

And then I tell a touching little story – the very first story in the world – a story that I call “Caveman Steve and the Wooly Mammoth”.

Then I throw in a flame thrower, some bandits, maybe some Martians, and some kick-butt horse-style kung-fu action.

Some of you today at the FOREST OF TREES FESTIVAL will get a chance to hear all this at 10am at 10am to 11am at the BRIGANTINE TENT.

I look forward to seeing you all.

yours in storytelling,

Steve Vernon